'The Babushkas of Chernobyl' - In the radioactive Dead Zone surrounding Chernobyl's Reactor No. 4, a defiant community of women scratches out an existence on some of the most toxic land on Earth. They share this hauntingly beautiful but lethal landscape with an assortment of visitors – scientists, soldiers, and even ‘stalkers' – young thrill-seekers who sneak in to pursue post-apocalyptic video game-inspired fantasies. Why the women chose to return after the disaster – defying the authorities and endangering their health – is a remarkable tale about the pull of home, the healing power of shaping one's destiny, and the subjective nature of risk.

'A World Not Ours' is an intimate, humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family.

'I came from the unknown to sing' - Ghazi Hussein is an award winning Palestinian poet and writer living in Scotland. This short film explores his poetry as the narrative thread to unravel the complex emotional journey he has traveled through and how he came to eventually call Edinburgh home.

'Welcome to Refugeestan' - This film focuses on the way the UNHCR manages camps that shelter more than 16 million refugees all around the world, creating a virtual country as large as the Netherlands.

How does the UNHCR run these camps and train its representatives? How can they deal with the urgent needs of thousands of new refugees that arrive each day? How has this emergency response turned into a durable situation with an average stay of over fifteen years? What are the long-term perspectives for this kind of response to humanitarian urgency?

Shot all around the world – Kenya, Tanzania, Jordan, the border of Greece/Macedonia – and in the UNHCR offices.

Launch of the 2017/2018 GRAMNet/BEMIS Film Series, showing 'Constance on the Edge'.

Wallah - Je tu jure tells the stories of men and women travelling along West African migration routes to Italy. Senegal's rural villages, Niger's bus stations and "ghettos" full of traffickers, Italian squares and houses the the backdrops of these courageous trips, which often end in tragedy.